Frida Kahlo Retrospective Opens in Houston
Greetings Warriors!
Some artists whisper through history. Others bleed into it.
This year, Houston becomes sacred ground as a major Frida Kahlo retrospective opens at the Museum of Fine Arts Houston—and I’ll say this plainly, from the heart and from the battlefield of art.
I love Frida Kahlo. Not in the polite, academic way. Not in the museum-label way. I love her because she was a warrior, long before Instagram quotes tried to soften that word.
And yes—if you’ve been walking this road with me, you already know this. I’ve written about her before, passionately, personally, and unapologetically, in my article “A Warrior’s Tale: Frida Kahlo.” Frida isn’t just an artist I admire—she’s an artist I recognize.
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Deborah Sengl, Von Schafen und Wölfen, 2008. Photo: Ingo Pertramer
Why This Frida Kahlo Exhibition Matters Now
This Houston retrospective isn’t just another greatest-hits parade of self-portraits. It’s a reckoning. At a time when the art world is obsessed with spectacle, speed, and surface-level aesthetics, Frida Kahlo returns to remind us of something uncomfortable. Art was never meant to be safe.
The exhibition dives into:
Her physical suffering after the bus accident that shattered her body
Her emotional turmoil, love, betrayal, obsession, and resilience
Her Mexican identity, politics, mythology, and refusal to dilute herself for Western approval
Her transformation from a woman in pain into a global symbol of resistance
This is not about flowers and brows. This is about survival turned into symbolism.
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Frida Kahlo: Painting Pain Without Permission
Let’s be honest, Warriors. If Frida were alive today, she wouldn’t be chasing algorithms or trends. She wouldn’t be begging galleries for validation. She would be burning timelines down with truth.
Frida painted:
Miscarriage
Disability
Colonization
Identity
Womanhood
Desire
Rage
She painted what polite society told women—especially non-European women—to hide. That’s why her work still hits like a punch to the chest. That’s why museums keep circling back to her. And that’s why this Houston exhibition matters: It doesn’t sanitize her. It re-centers her power.
Houston as the Battleground
There’s something poetic about this exhibition landing in Houston.
A city shaped by:
Migration
Labor
Cultural collision
Strength through adversity
Frida’s story doesn’t belong only to Mexico or to art history textbooks. It belongs to anyone who turned suffering into self-definition. Museums don’t just preserve objects—they reopen conversations. And this show asks the hardest one: What does it mean to live honestly in a body, a culture, and a world that tries to break you?
Why I Keep Writing About Frida
I’ve said this before, and I’ll say it again; Frida Kahlo wasn’t painting to be liked. She was painting to stay alive.
That’s why I’ve written about her on my site. That’s why I return to her story.
Because Frida reminds artists, collectors, and creators of something the market hates to admit. The most powerful art is born from truth, not approval.
If you haven’t read my earlier piece, “A Warrior’s Tale: Frida Kahlo,” I encourage you to. It’s not a biography—it’s a mirror. One artist speaking to another across time.
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Final Word to the Warriors
If you visit this exhibition, don’t rush it.
Stand in front of her work.
Let it unsettle you.
Let it confront you.
Frida didn’t want your comfort. She wanted your honesty.
And in a world addicted to filters, Frida Kahlo remains gloriously unfiltered—still bleeding, still staring back, still daring us to be real.
That is why she endures.
That is why she matters.
That is why I love her.
